The blending of nature and office life recalls the absurd world of Jacques Tati's film Playtime as well as the landscape paintings of the Nabis artists like Pierre Bonnard, Paul Sérusier, or Félix Vallotton. Through the interplay of precision and indifference, Henry generates a unique visual language that skillfully addresses fundamental questions about humanity and society through its dreamlike absurdity.
12.09. – 18.10.25
Elegant interiors, modernist buildings, or burning architectural models provide the setting. Figures inhabit these spaces like stage characters – more archetypes than individuals – their rigid gazes recalling Edward Hopper. Some scenes resemble snapshots of everyday familiarity, while others are charged with subtle tension.
18.01. – 01.03.25
Revealing and hiding are more closely linked than one might think. Abundant images make things invisible rather than visible, and what we try to hide becomes all the more conspicuous.
