
Rebekka Benzenberg
Rebekka Benzenberg (*1990 in Duisburg) lives and works in Berlin and Düsseldorf. She studied at the Kunstakademie Düsseldorf and graduated under Prof. Franka Hörnschemeyer in 2020. In her artistic exploration of the history of misogyny, Benzenberg draws on motifs charged by mythology and art history and lays them bare: as symbols, as vehicles for attributions, as social explosives. Her work has been shown at Kunstpalast Düsseldorf, Bundeskunsthalle Bonn, Kunstmuseum Bonn, Weserburg Museum for Modern Art, Bremen, Kunstmuseum Mülheim and Collection Philara.





On Dream Baby Dream ⁞
Exhaustion as an expression of resistance, depression as a silent but fundamental indictment of a sick system: in her exhibition Dream Baby Dream, Rebekka Benzenberg draws attention to questions that are only superficially personal and intimate. The motif of the bed is at the center of her pointed, finely tuned compilation of sculptures, sound and paintings: a tempting retreat and a hated sickbed at the same time. The bed – especially the unmade one – implies a body that tosses and turns in it, sweats and leaves traces of its presence behind ... continue reading
– Malte Lin-Kröger

Rebekka Benzenberg
Rebekka Benzenberg (*1990 in Duisburg) lives and works in Berlin and Düsseldorf. She studied at the Kunstakademie Düsseldorf and graduated under Prof. Franka Hörnschemeyer in 2020. In her artistic exploration of the history of misogyny, Benzenberg draws on motifs charged by mythology and art history and lays them bare: as symbols, as vehicles for attributions, as social explosives. Her work has been shown at Kunstpalast Düsseldorf, Bundeskunsthalle Bonn, Kunstmuseum Bonn, Weserburg Museum for Modern Art, Bremen, Kunstmuseum Mülheim and Collection Philara.




On Dream Baby Dream ⁞

Exhaustion as an expression of resistance, depression as a silent but fundamental indictment of a sick system: in her exhibition Dream Baby Dream, Rebekka Benzenberg draws attention to questions that are only superficially personal and intimate. The motif of the bed is at the center of her pointed, finely tuned compilation of sculptures, sound and paintings: a tempting retreat and a hated sickbed at the same time. The bed – especially the unmade one – implies a body that tosses and turns in it, sweats and leaves traces of its presence behind ... continue reading
– Malte Lin-Kröger